Given the world’s small number of first-rate Verdi singers, it comes as no surprise that tenor Arnold Rawls and bass Morris Robinson should cross paths—often amid the massive, gilded pageantry of the ...

A scene from Act 2 of the Metropolitan Opera's Aida production The Met retains the pseudo-realistic sets and costumes from 1987. The show looks like an Italian opera representation of Egypt in the ...

That approach was also used for their Turandot two years ago, and now method and team are reunited as Sir Richard Armstrong conducts Aida with Annabel Arden as director and design by Joanna Parker.

Performances in N.Y.C. Advertisement Supported by But opening night of the huge production’s final run, shakily cast, presented a show that seemed to be begging to retire. By Zachary Woolfe “I’m not ...

Enter Your Email to Unlock This Article Plus, get the best of BroadwayWorld delivered to your inbox, and unlimited access to our editorial content across the globe. Aida has been among the most ...

The project has been underway for nearly 30 years. It comes to spectacular fruition this weekend. Saturday, the Sarasota Opera premiered "Aida." When when the final curtain closed, the Sarasota Opera ...

With no Schiller or Shakespeare as base, only the Egyptians and international dignitaries to please for the opening of the Cairo Opera House, Verdi’s librettist Ghislanzoni and scenario deviser ...

Earlier this season at the Met, Meade stepped in to sing the title role of Bellini's Norma and also starred as Elisabetta di Valois in Verdi's Don Carlo. Other highlights at the house include her ...

What is believed to be the earliest surviving full score of the famous Verdi opera Aida currently resides in the Music Library here at Stanford. The 1876 manuscript has been analyzed closely here at ...

Late in the afternoon on Nov. 10, lights began to dim as a packed audience eagerly waited at the Emerson Colonial Theatre. The Boston Lyric Opera’s staging of the classic opera “Aida,” with music by ...