Stand-in Australia captain Steve Smith, left, and former England bowler Monty Panesar Getty Images The Athletic has launched a Cricket WhatsApp Channel. Click here to join. Come on then, who had ‘an ...

In Kelly Reichardt's new film, Josh O'Connor plays a Massachusetts dad who plans an art heist. When his plans hit a snag, the movie becomes a contemplation of responsibility. J.B. Mooney (Josh ...

“The Mastermind,” Kelly Reichardt’s latest film, loosely based on an actual robbery of a Massachusetts art museum in the early 1970s, has only been out for a few hours. But already somebody has bought ...

Ever since The Asphalt Jungle, John Huston's 1950 film about a jewel robbery, audiences and filmmakers have loved heist movies. You get the precise laying out of the plan, the robbery itself, the ...

NPR's Scott Simon speaks with Josh O'Connor who stars in a new, subtle art heist film, "The Mastermind." Now to a heist at a museum. Not the Louvre. Not millions of dollars' worth of crown jewels.

The New York Film Festival guide called “The Mastermind” “an anti-thriller.” I can’t think of a better description for writer-director Kelly Reichardt’s latest; it’s a heist movie that has neither ...

The director Kelly Reichardt encourages stillness. Her style—long takes and low stakes, often punctuated by unhurried silences—forces viewers to slow down, to immerse themselves in the atmosphere ...

Of all things, Kelly Reichardt's bumbling art thief steals four paintings by American Modernist Arthur Dove, not exactly an art star. The film takes place in 1970, and the costumes, boxy cars, earth ...

"The Mastermind” opens in select U.S. markets Oct. 17 but will officially open in Cincinnati theaters Oct. 24. This story has been updated with that clarification. Your favorite Greater Cincinnati ...

“The Mastermind,” a 1970s-style character portrait of an art thief from writer-director Kelly Reichardt (“Old Joy,” “Meek’s Cutoff,” First Cow”), is perfectly titled. It captures the way the thief ...

The Mastermind may be billed as a heist movie, but that categorization does the movie a disservice. If anything, director Kelly Reichardt's latest is an anti-heist movie, with the heist being almost ...

Kelly Reichardt’s watchful cinema is one of the indie world’s most exquisite bounties, a space for pioneers (“Meek’s Cutoff,” “First Cow”), artists (“Showing Up”) and wanderers (“Old Joy,” “Wendy and ...